Friday, January 29, 2016

Centurion of Self

The institute of self. The management of the I as island- This looks like a good book-

Idiosyncratic Identities: Artists at the End of the Avant-Garde by Don Kuspit.

."Postmodernism has been described as a decadent and pluralistic period, where avant-garde art has been institutionalized, stereotyped and effectively neutralized; and where models of art seem to stand in ironical, nihilistic relationship to every other. In this study, Donald Kuspit argues that only the idiosyncratic artist remains credible and convincing in the postmodern era. He pursues a sense of artistic and human identity in a situation where there are no guidelines, art historically or socially. Idiosyncratic art, Kuspit posits, is a radically personal art that establishes unconscious communication between individuals in doubt of their identity. Functioning as a medium of self-identification, it affords a sense of authentic selfhood and communicative intimacy in a postmodern society where authenticity and intimacy seem irrelevant and absurd."(Amazon link)

Thursday, January 28, 2016

I don't care

Why the death of Care in Bohemian Grove rituals? Why do I live in a demographic known as Bohemian Groove by the polls run over at the local public library? Care becomes some sort of grounding effect for the human condition. Like hope it binds us to a condition maligned to a speculative future potential. Why are care bears rainbow flavored? Why are owls feathers so quiet? Why are moths attracted to the light?  In other news here is a quote by Freddy Schiller-"As long as he merely feels, merely desires and acts upon desire, he is as yet nothing but world, if by this term we understand nothing but the formless content of time"On the Aesthetic Education of Man 
Here is a Maurice Sendek Carol King collaboration. -

Tuesday, January 26, 2016

Heavens to Mergatroid

I am officially going into the garage band flyer business. FREE illustrations for fliers and album covers to all bad ass low budget bands that need illustration work...just putting that out there. russellcucumber@gmail.com

Thursday, January 21, 2016

exhale

Creativity has got to start with humanity and when you're a human being, you feel, you suffer. (Marilyn Monroe) 

Schiller and Nietzsche genetics in those words.

Saturday, December 26, 2015

play-dough

I was under the impression that PLato just didn't like music, or believed it to be a corrupting element, but it was moral ambiguity in musical experimentation that wrinkled his toga...
 Republic (Book 4) musical experimentation that violates traditional musical “laws”: “Lawlessness of this kind can easily go unnoticed . . . because it’s seen as a kind of play that does no harm. [But] it sinks bit by bit into peoples’ actions and character; it then looms up and infects their business dealings, and goes on to treat legal and social norms with wanton disregard, until it finally creates total havoc in both the private and public sphere.” -Plato and Play -
I value the sense of play and experimentation in my art practice and question if it has led to moral relativism. I am more inclined to  chalk it up to contemporary circumstances warranting more permeable world views and that moral relativism another way to describe perspectives devoid of entrenched dichotomies. Reading more of that same essay, I realized I am probably the product of Sophists meddling.
The Sophists in particular transferred the idea of serious play wholesale  from the arena of athletics, symposia, and war games exclusively to that of verbal skill. They were masters of play: play on words, on moral values, on distinctions between illusion and reality. While they crystallized the idea that paideia was the desirable end product of Greek culture, they also introduced the notion, deeply deplored by Plato, that skill in word manipulation was the principal route to success in society and politics. Sophistic approaches to education provide a contrast to the conservative program of education outlined in Plato’s dialogue Protagoras, where from around the age of six to the age of fifteen youths learned to read, recite Homer and other classics, sing and play the lyre, and practice gymnastics, with the aim of becoming well-rounded “gentlemen.” Sophistic doctrines seemed, by contrast, innovative and subversive. They supposedly undermined conventional religious and philosophical notions and promoted moral, intellectual, and political opportunism. The Sophist Protagoras of Abdera, for instance, taught that “man is the measure of all things,” a doctrine that could support an atheistic and dangerous relativism. The fact that some Sophists claimed to teach an “art of politics” to young men also challenged the traditional view that politics was the domain of age, wisdom, and experience. The influence of aristocratic youths in the political affairs of Athens was blamed for disastrous events such as the defeat of the city’s Sicilian Expedition in 413, its bloody antidemocratic coup in 411, and its fall to the Spartans and their allies in 404 BCE.  Plato and Play pg.303


Wednesday, December 23, 2015

giddy

“like the picture on the Quaker Oats boxthat shows a figure hold up a boxupon which is a picture of a figureholding up a boxand the figure smaller and smallerand further away each timea picture of shrinking reality itself….” (Lawrence Ferlinghetti)

Saturday, December 12, 2015

About Me

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St. Augustine, Florida, United States
I spill ink ,it collects here.