abrupt skits, painful theatre, improv of the absurd
Friday, May 23, 2008
All art is metaphor, if one wants it that way, but then so is any object. To escape from metaphor, artists have often chosen other ways: sheer physical stimulation or the insistence on a system of formal relationships that has meaning in and for itself. Metaphor, stimulation, formal relationships, three ways to meaning. Is it necessary to choose? George Sugarman, 1974
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